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EOS Rebel SL3 EF-S 18-55mm f/4-5.6 IS STM Lens Kit Black
₨122,500.00 ₨163,800.00
Product Description
- New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100-32000; expandable up to 50-102400 (equivalent ISO).
- 4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in-camera still frame grab* of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.
- Superb Dual Pixel CMOS AF for responsive and smooth AF during video or Live View shooting; LCD monitor has full touch-screen interface, including selection of AF area.
- Excellent performance — up to 7.0 fps** continuous shooting speed with high-performance DIGIC 6+ Image Processor for improved speed and excellent image quality.
- 61 AF points with expanded vertical coverage with 41 cross-points, and AF possible at all 61 AF points with many lens + extender combinations effective at f/8.
- 150,000-pixel RGB+IR metering sensor helps provide precise exposure metering, helps detect flickering lights and allows for enhanced scene recognition and face detection capabilities.
- Dual Pixel RAW***, in-camera Digital Lens Optimizer during JPEG shooting and Diffraction Correction technologies.
- Built-in Wi-Fi®^ and NFC^^ connectivity provide easy sharing to compatible smart devices, select social media sites and the Canon Connect Station CS100 device.
- Built-in GPS^^^ provides geotag information including auto time syncing with Universal Time Code (UTC) via satellites.
30.4 MP Full-Frame Sensor
The EOS 5D Mark IV camera has a full-frame, high-speed CMOS sensor that delivers beautiful images of weddings, wildlife, sports and more. Measuring approximately 36.0mm x 24.0mm, the same size and ratio as a 35mm film frame, it records approximately 30.1 Megapixels at normal ISOs of up to 32000. It also captures tremendous still and 4K video clips suitable for significant post-processing, retouching and cropping. This brilliant sensor adds Dual Pixel CMOS AF capabilities as well, enabling the EOS 5D Mark IV to focus quickly and accurately during live-view shooting, capturing the action as it unfolds. At light levels as low as EV -4, Dual Pixel CMOS AF enables continuous automatic AF and AF tracking at the pixel level in more places and more lighting situations, enhancing overall camera operation for sharp still images and smooth, precise focus transitions in videos.
4K Video
Capable of recording Digital Cinema (DCI) standard 4K (Motion JPEG) videos of 4096 x 2160 pixels at up to 30 fps, the EOS 5D Mark IV is an extraordinary camera for movies, news, weddings and more. It’s also able to shoot Full HD video at up to 60 fps and HD video at up to 120 fps, and supports both MOV and MP4 formats for HD and Full HD right out of the camera for easy distribution or for use in editing software.
Dual Pixel AF with Touch Panel Operation
Featuring Dual Pixel CMOS AF and Touch AF, the EOS 5D Mark IV camera delivers quick, smooth AF throughout 80% of the picture area for excellent subject tracking while shooting video. Used in conjunction with the camera’s touch screen, it’s easy to select the location and size of the AF frame, which can be especially useful when the subject is off center or for dramatic focus shifts.
Up to 7.0 fps Continuous Shooting
The EOS 5D Mark IV camera is designed to capture the action. Its remarkable shutter, advanced AF, exposure and image processing systems help ensure virtually instantaneous response and performance at up to 7.0 fps**, even at full resolution. A cam-operated Mirror Vibration Control System with a high-torque motor helps suppress mirror impact for stable, high-speed shooting, while the AF and AE systems help ensure accurate exposure and focus tracking, even at high speed. Whether immortalizing a bird in flight or a father’s first dance with the bride, the EOS 5D Mark IV camera delivers a combination of performance and image quality that’s ideally suited to the needs of advanced photographers.
** Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.
In-camera Digital Lens Optimizer and Diffraction Correction
The EOS 5D Mark IV camera is equipped with a number of in-camera optical correction functions, previously available only using Digital Photo Professional software, for more clarity, less distortion and less light fallout in the corners of the frame. It comes preloaded with aberration data particular to specific lenses, helping the EOS 5D Mark IV camera to correct images in-camera with virtually no delay. Able to correct for peripheral brightness and chromatic aberration, the EOS 5D Mark IV also features distortion correction to help remedy barrel and pincushion distortions and diffraction correction to correct the blurring effects from diffraction that can be created when capturing an image at a small aperture. Effectively compensating for optical quirks from the lens, the EOS 5D Mark IV produces clean files that are ready for print or display, quickly and easily.
150,000 pixel RBG+IR metering sensor
To determine and maintain proper exposure, especially in varying light sources with moving subjects, the EOS 5D Mark IV camera’s iSA (Intelligent Scene Analysis) system has a dedicated RGB+IR light sensor with approximately 150,000-pixel resolution. It provides the camera with quick and comprehensive image analysis. The EOS 5D Mark IV also incorporates Canon’s Intelligent Tracking and Recognition system (iTR AF) that detects and tracks subjects, automatically switching the AF point to maintain subject tracking.
ISO 100-32000 (expandable to 50-102400)
Featuring an ISO range of 100-32000 (expandable to 50-102400), the EOS 5D Mark IV camera thrives at low-light photography. Whether shooting at night, in inclement weather or even in dimly lit auditoriums, the EOS 5D Mark IV camera’s sensor has an improved S/N ratio plus an improved noise-processing algorithm to deliver high-level light sensitivity, without compromising image quality. In low light, or when simply suppressing camera shake blur, the EOS 5D Mark IV camera’s extended ISO range helps it to excel in a wide range of lighting situations.
61 Point AF
The EOS 5D Mark IV has a new AF sensor, with 61 AF points covering a broader vertical area of the image than its predecessor.
This AF system delivers excellent accuracy and performance, with up to 41 cross-type AF points available, and extra-high-precision AF at up to 25 points on the AF array (when wide-aperture lenses are used). Low-light sensitivity of this AF sensor is also improved, with the center point delivering AF at levels down to EV -3. AF with tele extenders at f/8 maximum effective apertures is also greatly improved – AF is possible at up to all 61 AF points, when specific Canon telephoto lenses are combined with Canon’s Version III EF tele extenders.
Built-in Wi-Fi® Technology
Thanks to its built-in Wi-Fi® connectivity^, the EOS 5D Mark IV can be easily set up to operate remotely, with control of select camera settings from compatible mobile devices. Image review and transfer are fast and convenient, without even having to take the camera out of its bag.
Built-in NFC Technology
Built-in NFC (Near Field Communication) technology helps provide the EOS 5D Mark IV camera with a virtually seamless connection to compatible Android™ devices^^. Simply tap to connect and transfer images and videos. It’s also compatible with the Canon Connect Station CS100 device, which makes it simple for photographers and moviemakers to view and organize all their photos and videos from one connected device.
Optional Canon Log Feature Upgrade
The EOS 5D Mark IV camera can be a more sophisticated moviemaking tool by adding Canon Log through an optional feature upgrade. Once the camera is upgraded, you can use the Canon Log mode to record 4K and Full HD video files that feature an increased dynamic range of up to approx. 800% or 12 stops (at ISO 400 or above), ideal for extensive post-production processing. For professional users and anyone who wants to get the most out of the EOS 5D Mark IV’s brilliant CMOS sensor, Canon Log can be an indispensable function.
Current EOS 5D Mark IV camera owners will be able to receive the Canon Log upgrade for a fee by sending the camera to a Canon Factory Service Center. For details, click here.
Notes about Image Quality with Canon Log:
When Canon Log is set, horizontal noise stripes may appear in movies depending on subject or shooting conditions. It is recommended to shoot a few test movies and check before the actual shooting. Note that noise may become more noticeable especially when you apply strong contrast during color grading of the shot movie.
Horizontal noise stripes tend to appear when the subject is dark and flat or [Peripheral illum.] is set to [Enable]. This noise may also appear when ISO speed is relatively low, such as at ISO 400.
When the noise is noticeable, it is recommended to set [Peripheral illum.] to [Disable], shoot in brighter exposure, and perform brightness adjustment during color grading. Also, noise may be decreased when you shoot at ISO speed lower than ISO 400 (even though the dynamic range will be narrowed).
Technical Specifications
Type Digital, AF/AE single-lens reflex, camera Recording Media CF card Type I drive (Type II and Microdrive non-supported.) UDMA Mode 7 supported. CFast cards cannot be used. SD, SDHC and SDXC memory cards UHS-I supported. MultiMediaCards (MMC) cannot be used (results in error). UHS-II not supported. If a UHS-II card is used, it may be slower than a UHS-I (depends on the card specifications). Compatible Lenses Canon EF Lenses (excluding EF-S and EF-M lenses) Lens Mount Canon EF mount Image Sensor Type CMOS sensor (Compatible with Dual Pixel CMOS AF) Pixels Approx. 30.4 megapixels Pixel Unit Approx. 5.36 µm square Total Pixels Approx. 31.7 megapixels Aspect Ratio 3:2 (Horizontal: Vertical) Color Filter System RGB primary color filters Low Pass Filter Installed in front of the image sensor, non-detachable Dust Deletion Feature Self Cleaning Sensor Unit Removes dust adhering to the low-pass filter. Self-cleaning can be done automatically when the power is turned on/ off. After the cleaning is performed, the camera will automatically restart (Power OFF to ON). When you use Multi Shot Noise Reduction, "Clean now" cannot be selected. Dust Delete Data acquisition and appending The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images. The dust coordinate data appended to the image is used by the EOS software DPP to automatically erase the dust spots. Manual cleaning Recording System Recording Format Complies with Design rule for Camera File System 2.0 and EXIF 2.3 Image Format Still Image: JPEG, RAW (14 bit Canon Original) Video: MOV (4K video: Motion JPEG; Full HD and HD Movie: MPEG4 AVC/H.264*; Audio: Linear PCM), MP4 (Movie: MPEG4 AVC/H.264*; Audio: AAC) * Variable (averaged) bit rate. File Size 3:2 Aspect Ratio Large/RAW: Approx. 30.1 Megapixels (6720 x 4480) mRAW: Approx. 16.9 Megapixels (5040 x 3360) Medium: Approx. 13.3 Megapixels (4464 x 2976) Small 1/sRAW: Approx. 7.5 Megapixels (3360 x 2240) Small 2: Approx. 2.5 Megapixels (1920 x 1280) Small 3: Approx. 0.35 Megapixels (720 x 480) 4:3 Aspect Ratio Large/RAW: Approx. 26.7 Megapixels (5952 x 4480)* mRAW: Approx. 15.1 Megapixels (4480 x 3360) Medium: Approx. 11.8 Megapixels (3968 x 2976) Small 1/sRAW: Approx. 6.7 Megapixels (2976 x 2240)* Small 2: Approx. 2.2 Megapixels (1696 x 1280)* Small 3: Approx. 0.31 Megapixels (640 x 480) 16:9 Aspect Ratio Large/RAW: Approx. 25.4 Megapixels (6720 x 3776)* mRAW: Approx. 14.3 Megapixels (5040 x 2836)* Medium: Approx. 11.2 Megapixels (4464 x 2512)* Small 1/sRAW: Approx. 6.3 Megapixels (3360 x 1888)* Small 2: Approx. 2.1 Megapixels (1920 x 1080) Small 3: Approx. 0.29 Megapixels (720 x 408)* 1:1 Aspect Ratio Large/RAW: Approx. 20.1 Megapixels (4480 x 4480) mRAW: Approx. 11.3 Megapixels (3360 x 3360) Medium: Approx. 8.9 Megapixels (2976 x 2976) Small 1/sRAW: Approx. 5.0 Megapixels (2240 x 2240) Small 2: Approx. 1.6 Megapixels (1280 x 1280) Small 3: Approx. 0.23 Megapixels (480 x 480) Values for Recording Pixels are rounded off to the nearest 10,000th or 1,000th. JPEG images are generated in the set aspect ratio. RAW images are generated in [3:2], and the set aspect ratio is appended. * Inexact proportion. Recording Functions Standard Select manually to record on either the CF card or SD card. Auto switch card When the current card becomes full, the camera switches to the other card automatically. Record separately The CF card and SD card record the same image at a different image recording quality (Large/Fine, Large/Normal, Medium/Fine, Medium/Normal, Small 1/Fine, Small 1/Normal, Small 2, Small 3, RAW, mRAW, sRAW). Record to multiple Both the CF card and SD card record the same image at the same image recording quality (Also applies to RAW+JPEG, mRAW+JPEG, and sRAW+JPEG). Backup Recording N/A File Numbering The following three types of file numbers can be set: Continuous numbering The numbering of captured images continues even after you replace the card. Auto reset When you replace the card, the numbering will be reset to start from 0001. If the new card already contains images, the numbering will continue from the last recorded image in the card. Manual reset Resets the file number to 0001, and creates a new folder automatically. RAW + JPEG Simultaneous Recording Possible Color Space sRGB, Adobe RGB Picture Style Auto Standard Portrait Landscape Fine Detail Neutral Faithful Monochrome User Defined 1-3 In Scene Intelligent Auto, [Auto] will be set automatically. [Standard] is the default setting for [User Def. 1-3]. White Balance Settings Auto (Ambience priority/White priority), Daylight, Shade, Cloudy*, Tungsten Light, White Fluorescent Light, Flash, Custom (Custom WB), Color Temperature * Effective also in twilight and sunset. Auto White Balance Option between ambience priority and white priority settings Color Temperature Compensation Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels Corrected in reference to the current WB mode's color temperature. Color Temperature Information Transmission Provided Viewfinder Type Eye-level SLR (with fixed pentaprism) Coverage Approx. 100% vertically and horizontally (at approx. 21mm eyepoint) Magnification Approx. 0.71 Eye Point Approx. 21mm (at -1m-1 from the eyepiece lens center) Dioptric Adjustment Correction Adjustable from approx. -3.0 to +1.0 m-1 (dpt) Focusing Screen Fixed Mirror Quick-return half mirror Viewfinder Information Displayed with transparent liquid crystal AF point information AF operation* Area AF frame Metering mode* Spot metering circle Image quality* Electronic level (dedicated indicator)* Digital Lens Optimizer* Battery (remaining capacity)* Dual Pixel RAW setting (shooting)* Shooting mode* Flicker detection* White balance* Warning symbol Drive mode* AF status indicator You can select whether or not to display the asterisked items [Show/hide in viewfinder]. Depth Of Field Preview Enabled with depth of field preview button Autofocus Type TTL secondary image-forming phase-difference detection system with AF-dedicated sensor AF Points AF Points (Max. 61 points)| AF Points and AF Patterns | AF Points (Max.) |
| Dual cross-type AF points at f/2.8 and f/5.6 | 5 |
| Cross-type AF points at f/4.0 and f/5.6 | 20 |
| Cross-type AF points at f/5.6 and f/8 | 21 |
| Horizontal-line sensitive AF points at f/5.6 | 20 |
| Horizontal-line sensitive AF points at f/8 | 61 |
| AF Point | Brightness |
| One center AF point focusing at f/2.8 | EV -3 to 18 |
| Four AF points at the top/bottom center focusing at f/2.8 | EV -2 to 18 |
| One center AF point focusing at f/5.6 and f/8 | EV -1.5 to 18 |
| Peripheral AF points focusing at f/5.6 and f/8 | EV -0.5 to 18 |
| During AF Point Selection | Shooting Ready (before AF) | During AF | When Focused | Metering Time Active | |
| Selected AF Point(s) (Always displayed) | All displayed | Selected AF point | Selected AF point | In-focus AF points | Selected AF point |
| All AF Points (Always displayed) | All displayed | All displayed | All displayed | All AF points + In-focus AF points | All displayed |
| Selected AF Point(s) (Before AF and when focused) | All displayed | Selected AF point | Not displayed | In-focus AF points displayed momentarily -> Turns off | Selected AF point |
| Selected AF Point(s) (Displayed when focused) | All displayed | Not displayed | Not displayed | In-focus AF points displayed momentarily -> Turns off | Not displayed |
| Not displayed | All displayed | Not displayed | Not displayed | Not displayed | Not displayed |
| Normal | ISO 100–32000 (in 1/3-stop or whole-stop increments) |
| Expanded | ISO speeds L: equivalent to ISO 50, H1: 51200, H2: 102400 |
| Shooting Mode | ISO Settings | |
| No Flash | With Flash | |
| Scene Intelligent Auto | ISO 100–12800 | ISO 100–1600 |
| P/Tv/Av/M | ISO 100–32000*1 | ISO 400 fixed*1*2*3 |
| B | ISO 400 fixed*1 | |
| During SW-1 ON, time lag between SW-2 ON and start of exposure: | Normal shooting | Approx. 58 ms |
| During silent shooting | Approx. 108 ms | |
| With flash | Approx. 98 ms | |
| During silent shooting with flash | Approx. 153 ms | |
| Time lag between simultaneous SW-1/SW-2 ON and start of exposure: | Normal shooting | Approx. 130 ms |
| During silent shooting | Approx. 177 ms | |
| With flash | Approx. 266 ms | |
| During silent shooting with flash | Approx. 318 ms |
| Movie Recording Size | Total Recording Time (Approx.) | Bit Rate / File Size (Approx.) | ||||
| 8GB | 32GB | 128GB | ||||
| 4K 4096 x 2160 | 29.97 fps, 24.00 fps, 23.98 fps | Motion JPEG | 2 min. | 8 min. | 34 min. | 500 Mbps 3587 MB/min. |
| Full HD 1920 x 1080 | 59.94 fps | ALL-I | 5 min. | 23 min. | 94 min. | 180 Mbps 1298 MB/min. |
| IPB | 17 min. | 69 min. | 277 min. | 60 Mbps 440 MB/min. | ||
| 29.97 fps, 24.00 fps, 23.98 fps | ALL-I | 11 min. | 46 min. | 186 min. | 90 Mbps 654 MB/min. | |
| IPB | 33 min. | 135 min. | 541 min. | 30 Mbps 225 MB/min. | ||
| HD 1280 x 720 | 119.9 fps | All-I | 6 min. | 26 min. | 105 min. | 160 Mbps 1155 MB/min. |
| Movie Recording Size | Total Recording Time (Approx.) | Bit Rate / File Size (Approx.) | ||||
| 8GB | 32GB | 128GB | ||||
| Full HD 1920 x 1080 | 59.94 fps | IPB | 17 min. | 70 min. | 283 min. | 60 Mbps 431 MB/min. |
| 29.97 fps, 24.00 fps, 23.98 fps | IPB | 35 min. | 140 min. | 563 min. | 30 Mbps 216 MB/min. | |
| 29.97 fps | IPB (Light) | 86 min. | 347 min. | 1391 min. | 12 Mbps 87 MB/min. | |
| Configuration | Shooting Method | Battery | Temperature | Possible Shots |
| Camera Body Only | Viewfinder shooting | LP-E6N | At 73°F/23°C | 900 |
| At 32°F/0°C | 850 | |||
| Live View Shooting | LP-E6N | At 73°F/23°C | 300 | |
| At 32°F/0°C | 280 | |||
| With Battery Grip BG-E20 | Viewfinder shooting | LP-E6N x2 | At 73°F/23°C | 1800 |
| At 32°F/0°C | 1700 | |||
| Live View Shooting | LP-E6N x2 | At 73°F/23°C | 600 | |
| At 32°F/0°C | 560 |
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